| PREFACE “CARICATURE 
			HISTORY” does not mean that history is caricatured. On the contrary, 
			a good caricature enables us to see, in a true light, facts that 
			might otherwise be hidden or misrepresented.
 We understand current events and the social life of England from the 
			illustrations of Punch more truly than from the columns of the Times 
			or the Morning Post. Canada is only beginning life, and our politics 
			touch subjects of general interest so seldom, that it is sometimes 
			thought and said that there is no field for a Canadian Punch but the 
			fact, perhaps not generally known, that for the last forty years, at 
			any rate, we have rarely been without artists whose pictures on the 
			questions of the day have appealed successfully to popular humor, 
			proves that our political life has been robust from the beginning. 
			Some of these artists had to content themselves with publishing 
			fly-sheets that provoked the laughter of the town, but that had no 
			chance of obtaining more than a local reputation. For others, organs 
			well-known in their day, such as Punch hi Canada, Diogenes, and 
			Grinchuckle, were established at different times prior to 1873, when 
			Grip vaulted into the seat which he has occupied since to the 
			satisfaction of all Canada. Requests have been frequently made for a 
			work containing a continuous series of his cartoons, and in now 
			acceding to these it has been thought well to give illustrations of 
			what was done among us in the same line previously. Fortunately the 
			publishers were able to obtain selections from the sources to which 
			I have referred, and also from the Canadian Illustrated News; and 
			the First Volume of this work thus gives something like a continuous 
			pictorial history of the events that have stirred popular feeling 
			most deeply since 1848. They believe that those older 
			representations will be heartily welcomed, and they desire to thank 
			all who have assisted in making the work so extended.
 
 As to Grip himself, he needs no letters of commendation, but, with 
			his well-known regard to the established usages of society, he 
			thinks that there should be a Preface to the work. Considering how 
			freely he takes a hand in our concerns, and that, in order to show 
			us what goes on behind the scenes, he has no hesitation in entering 
			bar-rooms, Government Houses, Palaces, and the Privy-Council 
			Chambers of our pastors and masters, this modesty on his part will 
			be duly appreciated by a modesty-loving public.
 
 A young member of our House of Commons waxed eloquent in the course 
			of his maiden speech, and, naturally enough, some of his brethren 
			thought him mad. Not so thought Joseph Howe, to whom Shakespeare was 
			dearer than all the Blue-books in the Parliamentary Library': “Thank 
			God for a bit of poetry in this dry-as-dust House,” whispered the 
			old man to a near neighbor. 'Yes, and thank God for Humor, with its 
			intuitive perception of truth, and its consequent impartiality. 
			Without Grip, what Saharas our Parliaments would be.
 
 Every man should take an intelligent interest in the political life 
			of his country. But from what quarter is he to get information ? He 
			cannot get Hansard; and even if he could, life is too short to read 
			the terrible volumes. To trust himself to this or that party paper 
			will insure interest but not intelligence; and to read the papers on 
			both sides will land him in hopeless scepticism, or drown him “in a 
			popular torrent of lies upon lies.” On the whole, he cannot do 
			better than trust Grip, as the most honest interpreter of current 
			events we happen to have. Grip, too, not only generally hits the 
			nail on the head, but sometimes hits like a blacksmith—and we belong 
			to a race that loves to see a blow well struck. Besides, the fellow 
			has no malice in him. He has always a merry heart, and that doeth 
			good like a medicine. Many a laugh he has given us, and laughter 
			clears away unwholesome fogs from the spirit. Along with music it is 
			next best to Holy Writ, according to the testimony of Martin Luther. 
			A picture, too, has this unspeakable advantage over verbiage, that 
			you can take in the situation at a glance, and if it is not 
			agreeable, you can pass on. You condemn the representation as 
			unfair, but, at any rate, your time is not lost.
 
 I do not speak as an artist of the cartoons or the caricatures that 
			illustrate our political history since 1873. To me their artistic 
			merit is exceptionally great, but I am not qualified to speak as a 
			critic of technique. I speak only as a public teacher who knows that 
			the educational influence of pen or pencil may be greater than that 
			of the living voice, and who rejoices when that influence is on the 
			right side.
 
 In this case it is on the right side. Grip is impartial, in a 
			country where it is very hard to be impartial, and harder still to 
			have your impartiality acknowledged. Grip is also always patriotic. 
			He is something even better he is healthy. You may think him at 
			times Utopian. You may not agree with the means he proposes, but you 
			must always sympathize with the end he has in view. He is 
			scrupulously clean. He never sneers. In the best sense of the word, 
			he is religious.
 
 One word more: Grip’s humor is his own. It has a flavor of the soil. 
			It is neither English nor American. It is Canadian.
 
 Ladies and Gentlemen, I have the honor formally to introduce to you 
			my esteemed friend, Mr. Grip. You may receive him with confidence 
			into your homes and hearts.
 
 University of Queen’s College,
 Kingston, March, 1886.
 
			Volume 1  | 
			Volume 2 |